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  • Behind the scenes with illustrator kiri! How does she add realism to her works?
Interviews
2026.03.13

Behind the scenes with illustrator kiri! How does she add realism to her works?

  • interview
  • illustrator interviews
  • illustration production
  • international illustrators
  • creator interview
Behind the scenes with illustrator kiri! How does she add realism to her works?

On Artist's Spotlight, we interview artists around the globe who are active on pixiv to shed light on their work and how they create their illustrations.


These interviews often discuss topics related to the business of illustration, such as how to take your skills to the next level as a creator and things to keep in mind as a professional, making them a valuable source for both aspiring and professional illustrators.


This time we interviewed Korean illustrator and character designer kiri about the behind-the-scenes of her recent works and what she considers especially important when creating an original illustration!

Index
  •  Introducing kiri and her illustration work
  •  kiri’s favorite illustration and its creation process
  •  Giving pieces a persuasive realism
  •  Consistently posting original works is especially important
  •  Check out past Artist's Spotlight interviews!
kiri
  • kiri
  • South Korean illustrator and character designer.

    She pursues clear designs that effectively communicate a theme. She focuses on the harmony between her delicate line art and use of medium-saturation colors when creating distinctive original characters.

    She serves as an instructor on online learning services such as propic and Coloso, teaching creative techniques. She also handles character designs, music videos, and illustrations for various VTubers.

  • pixiv
    X

Introducing kiri and her illustration work

── Could you briefly introduce yourself and your work?

Hello! I'm kiri, an illustrator and character designer. Lately, I've been working on character designs, costume designs, and music video illustrations for Korean and Japanese VTubers. I absolutely love drawing cute not-quite-human characters!

無題

by kiri

kiri’s favorite illustration and its creation process

── What’s your favorite thing you’ve drawn recently?

Among the pieces I've drawn recently, the one that stands out most is my original illustration “merry christmas.” I drew a character sitting on an old Ferris wheel on a snowy winter day, with another character whose expression is hidden standing across from them.

merry christmas

by kiri

kiri’s current favorite piece.

── What made you draw it and what was the inspiration behind it?

I actually draw these characters every Christmas, including last year's holiday season. I’ve made numerous pieces filled with festive Christmas cheer, so, this time, I deliberately toned down the Christmas elements, opting instead for a quiet, almost melancholic setup. My aim was to create an atmosphere that would encourage viewers to speculate on the relationships and story between the characters.

── What do you like about this particular image?

I've cherished these original characters for a long time, and I've always loved that white, quiet, lonely atmosphere of winter. I really like how I successfully captured that mood in this art.

── Which part of the process was the most fun?

As is usually the case, I especially enjoyed the underpainting stage of this piece. I believe illustrations can be placed into two categories: those emphasizing the subject and those emphasizing the atmosphere. A technique I frequently use regardless of which category I’m aiming for is emphasizing elements of the piece through hue and value. During the underpainting stage, the finished image I have in my head becomes more concrete, giving me a tangible sense of progress and reassurance.

▼ Here's a little behind-the-scenes!

── On the other hand, what was the most difficult part of the process?

The line art stage was the most challenging. I often draw lines while simultaneously filling in color (rendering), so I don’t draw very detailed line art compared to other illustrators. Even so, the stage of translating the image in my head into a concrete form always feels difficult. If I don't get the shapes right in the line art stage, the later stages become even more difficult, so I have to be especially careful.


Lately, to improve the overall quality of my illustrations even slightly, I've been making a conscious effort to draw detailed lines from the very beginning.

── Was there an aspect that you paid particular attention to?

First, I prioritized creating a quiet, lyrical atmosphere. I consciously crafted a composition that drew attention to the story unfolding between the two characters. One is a very ordinary human whose expression is visible, while the other, though human-like in form, has wings and is depicted without a visible expression. The Ferris wheel in the background isn't just a simple amusement ride; I rendered it with a worn, aged feel meant to suggest some underlying story. I'd be delighted if viewers feel even slightly curious about what the story behind these characters is.

Giving pieces a persuasive realism

oc

by kiri

── Your character designs are distinctive and uniquely expressive, blending darkness with a touch of cuteness. It’s truly impressive. Could you tell us about the inspiration behind your character designs and what you find challenging in the creation process?

I feel like I always start by focusing on the specific elements and ideas I personally enjoy. For references, I often look to visual content like photographs, films, or other artists' illustrations. If I start without deciding what I want to create, I sometimes get stuck because I don't know what to research. So, when developing ideas, I first lay out the things I like, then use those as keywords to search for references and expand my thinking. Having a solid foundation prevents me from straying too far from the direction I want to go in.


The most challenging part of production, I find, is how to make my original characters and illustrations convincingly real to the viewer. Viewers are often going into original works with no prior knowledge, making them feel unfamiliar and potentially less engaging. To overcome this, I constantly prioritize clarity. In other words, I prefer to create illustrations that viewers can parse easily and without stress.


Additionally, I consciously aim for character designs with both appeal and simplicity. When creating an illustration, I focus on clearly highlighting the parts I want to emphasize.

Consistently posting original works is especially important

アズ

by kiri

── As you continue your creative work, do you have any unique methods of branding that help you generate income and connect with your fans?

I make a conscious effort to consistently post original illustrations on social media platforms like pixiv. While I occasionally draw fan art for works that moved me or for my favorite VTubers, there’s nothing I love more than drawing original works. I'd be delighted if people remember me as an illustrator who loves creating original content.


Therefore, I’m always designing new original characters. I also cherish the existing characters I've been drawing for a while, making sure to sketch and post them whenever inspiration strikes. While I'm currently taking a break due to scheduling conflicts, I previously shared my creative work and behind-the-scenes character development on platforms like POSTYPE and pixivFANBOX.

── Finally, please share a message for your loyal fans and everyone reading this article.

Knowing that people are cheering me on gives me tremendous strength. I'm always truly grateful. And for those reading this article who, like me, enjoy drawing original characters, I'd be delighted if this interview proves even a little helpful. I plan to keep doing my very best!

無題

by kiri

2

── kiri, thank you so much!



>>>>View kiri’s works on pixiv<<<<


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