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  • Behind the scenes with illustrator Kerno! How does he create compelling concepts?
Interviews
2025.11.28

Behind the scenes with illustrator Kerno! How does he create compelling concepts?

  • interview
  • illustrator interviews
  • illustration production
  • international illustrators
  • South Korea
Behind the scenes with illustrator Kerno! How does he create compelling concepts?

On Artist's Spotlight, we interview artists around the globe who are active on pixiv to shed light on their work and how they create their illustrations.


These interviews often discuss topics related to the business of illustration, such as how to take your skills to the next level as a creator and things to keep in mind as a professional, making them a valuable source for both aspiring and professional illustrators.


This time we interviewed Korea-based illustrator Kerno about the behind-the-scenes of his recent work, how he creates interesting illustration concepts, and how he learns!

Index
  •  Introducing Kerno and his illustration work
  •  Kerno's favorite illustration and its creation process
  •  What to pay attention to when creating
  •  Exploring opportunities to interact with fans
  •  Check out past Artist's Spotlight interviews!
Kerno
  • Kerno
  • South Korean illustrator.

    He is the cover song illustrator for StelLive VTuber Tenko Shibuki and also conducts illustration workshops incorporating practical know-how, such as how to run booths at offline events.

    His style is characterized by his use of point colors, as well as light and composition, to depict everyday emotions.

  • pixiv
    X

Introducing Kerno and his illustration work

── Could you briefly introduce yourself and your work?

Hello, I’m Kerno, a casual illustrator.


Most of my work is giving illustration lectures, as well as drawing commissions for games, VTuber cover songs, and merchandise. I also participate in booths at various subculture-related events.

オリジナル

by カノ

オリジナル

by カノ

Kerno's favorite illustration and its creation process

── What’s your favorite thing you’ve drawn recently?

I really like my drawing of an original character playing the bass.

oc

by カノ

Original character playing the bass (2023)

── What made you draw it and what was the inspiration behind it?

I was inspired by my own love of playing the bass as a hobby and the anime “Bocchi the Rock!”


I couldn’t help but think, “If a character was going to play my bass, what would they look like? What would be charming about them?” And then I designed and drew this original character based on that.

── What do you like about this particular image?

I love the bass as an instrument. I’m really drawn to the chic, mysterious image it has. I really wanted to convey that same feeling in this piece, so I centered this work around the bass, then came up with a character and kept the workroom itself minimalist. Spending all that time thinking about it made me grow really attached to it.

── What was the most fun part of the process?

The most enjoyable part was definitely painting the bass, which is actually modeled after the one I actually use! While painting the bass, it was almost like I could feel the bass’s smooth curves, sharp visuals, and clean, refined design with my own hands. It was such a fun process.

▼ Here's a little behind-the-scenes!

── On the other hand, what was the most difficult part of the process?

The most challenging part was designing the chair. I wanted a chair that would complement the overall white aesthetic but still maintain the minimalist feel. I needed to consider carefully―choosing the wrong chair could ruin the entire balance of the piece. I do think it was a point I struggled with.

── Was there an aspect that you paid particular attention to?

Of course I spent a lot of time on getting the bass right, but I also gave a lot of attention to the creases in the character's clothes. For the jacket, I put extra effort into rendering the pronounced creases that happen when you bend your arms, but the pants were really where I had to invest the most time and energy. I was meticulous about the flow of the fabric and the formation of wrinkles based on the pose. I wanted these details to add to the overall atmosphere of the character as understated and casual as possible, so I paid particular attention to them.

What to pay attention to when creating

── You’re especially good at keeping up with trends and incorporating them into your work. There are so many aspects to consider before starting a piece, such as what kind of character to draw and what concept to follow. Do you have any insider tips about how you come up with the composition for your works and how you keep up with trends?

I always keep up with the latest illustrations by other artists and try to be aware of what kind of games and anime are popular right now.


I try to steadily keep up with the latest anime, carefully checking the artistic direction, character traits, and designs of each one. I occasionally watch movies, and when I do, I consciously study the visual composition of the screen, the changing color tones, saturation, and brightness that match the emotional fluctuations, and the direction and effects of light according to the time of day and environment! Observing and researching these aspects of visual arts really helped with the composition and concepts in my work.


Most of my references come from anime, games, movies, and similar media, though I also use Pinterest and Google often. If there’s an aspect of my art I want to improve or explore new creative approaches to, I make sure to spend time researching relevant materials. For example, if I wanted to create a composition using a bold angle or experiment with color schemes I've never used before, I would conduct thorough research tailored to my specific goals.

オリジナル

by カノ

Exploring opportunities to interact with fans

── As you continue your creative work, do you have any unique ways of branding that help you generate income and connect with your fans?

To be honest, not really. I'm a bit introverted, so I'm not very good at promoting myself. However, I do make an effort to post illustrations as consistently as possible to not disappoint my fans. That’s the best way of creating a brand for myself.


That said, I know I can't stay introverted forever. I want to be able to communicate more with my fans in the future. Going forward, I plan to explore new ways of branding, maybe through livestreams!

オリジナル 2

by カノ

── Finally, please share a message for your loyal fans and everyone reading this article.

I’m always really grateful towards everyone who views my illustrations, commissions my work, and collaborates with me!


Currently, the only place where I can interact with my fans is at events, because my social media mainly only focuses on sharing illustrations. However, I’m trying to find a fun way to communicate with everyone in the future, maybe through live streams.


Please keep an eye out for my work in the future!

── Kerno, thank you so much!

>>View Kerno's works on pixiv<<

Check out past Artist's Spotlight interviews!

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