InterviewsWhat Shunji Eto, creator of Savior of the Divine Blood, considered while trying his hand at Webtoons. - Thinking that “nothing is better than Japanese manga” will set you up for failure.
InterviewsInterview with Miyuki Kitamuro, editor of "Melancholy of the Betrayed" - A decade in webtoon editing: what makes the ideal webtoon creator?
Interviews“Webtoons are often misunderstood in Japan.” - An interview with the President of Red Seven about letting go of conventional ideas and creating manga that breaks the mold.
InterviewsWhat's a webtoon? Can a hit come from Japanese creators? We asked the webtoon experts all about it! “Intro to Webtoons: Part 1”
InterviewsWhat's the difference between webtoons and traditional manga? It's not just how you draw them! Makuya Yamamoto shares the behind the scenes of production and compensation for both
InterviewsInterview with popular webtoon storyboard artist and mentor Hashimoto Lion - Looking at scripts through a camera lens.
InterviewsAn interview with the KADOKAWA TATESC COMICS editor-in-chief about what people expect from webtoons - While webtoons are great for global expansion, it’s still too early to compare them to traditional manga.
InterviewsInterview With Webtoon Production Studio LOCKER ROOM! “Intro to Webtoons: Part 2” - The future of webtoons resides in added value, brand IP, and niche-ification
InterviewsJump TOON's editor-in-chief on Shueisha's webtoon strategy - "Trusting in what creators and editors find 'interesting' over market trends."
InterviewsWebtoon label Pikalo's vision for creating memorable works - Bringing the passion of solo creators into team-based vertical webtoon production.